As July winds down, so does one of New York City’s most cherished summer traditions: Shakespeare in the Park. Each year, thousands gather beneath the stars in Central Park’s Delacorte Theater to experience the Bard’s words brought to life—completely free of charge. This summer, The Public Theater’s production of Twelfth Night has emerged as the breakout cultural event of the season, and with its final curtain falling on August 3rd, now is the time to catch it.
This year’s Twelfth Night isn’t just another retelling of the familiar mistaken-identity comedy—it’s a vibrant, emotionally rich reimagining that’s drawn crowds, applause, and critical buzz. Director Savion Martin, a rising force in contemporary theater, has brought new energy to the play without sacrificing its poetic charm. The setting evokes a fantastical, sun-soaked version of Illyria with nods to New York street style and layered cultural references that make the production feel rooted in the city’s pulse. It’s accessible and modern, but never loses sight of the Shakespearean core.
Leading the cast is Zoë Winters, whose portrayal of Viola is both agile and affecting. Her seamless shift between comedy and vulnerability gives the production its emotional center. Playing opposite her is Jorge Osorio as Malvolio, in a performance that’s earned nightly ovations. Osorio’s comedic instincts are razor-sharp, but he brings surprising depth to a role that’s too often played for laughs alone. Meanwhile, Ky Reed, a nonbinary performer making their Shakespeare in the Park debut, gives the jester Feste an unforgettable presence—both vocally and physically. Their haunting renditions of Shakespeare’s songs are among the production’s highlights.
The atmosphere of Shakespeare in the Park is a huge part of what makes it special. As twilight settles over Central Park, the crowd buzzes with anticipation, picnicking on the lawn or snapping photos near Turtle Pond before showtime. There’s a rare kind of electricity in the air as the first lines are spoken under the open sky. The Delacorte itself, nestled between Belvedere Castle and the Great Lawn, feels like a secret theater hidden in the middle of the city—one where anything can happen.
If you’re hoping to snag a ticket in these final days, it’s worth planning ahead. While entry is free, seating is limited and demand is high. The traditional method of lining up at the Delacorte early in the morning is still in place, with lines forming before 9 a.m. on performance days. There’s also a digital lottery option through The Public Theater’s app, but spots go quickly. For those willing to wait it out, the experience is well worth the effort. Pro tip: bring a book, sunscreen, and a folding chair for the queue, and make a day of it.
Once inside, you’ll want to arrive early for the pre-show buzz. Audiences range from first-time theatergoers to seasoned Shakespeare fans. It’s not uncommon to see New Yorkers sharing snacks, theater tips, or sunscreen with strangers while waiting for the show to begin.
Whether you’re a longtime fan of Shakespeare or just looking for a unique way to spend a summer night, Twelfth Night at the Delacorte delivers. With its final performances approaching, it’s more than just a show—it’s a love letter to the city’s creative soul. Don’t let the season end without experiencing it for yourself.
